In contrast to mixing, where you could apply effects, it wasn't possible to preview or undo changes during cutting: as soon as you spliced the tape with the razor blade, the edit was irreversible.
It stagnated due to this laborious, time-consuming routine of splicing and sticking together tape with razor blades and adhesive tape to smooth out the timing in the track, for instance. While many similar functions became established over time, there was no such advancement in terms of making the audio editing process more efficient. The saved settings all had to be returned to the original condition by hand, a job that was both painstaking and slow. This way, a sound engineer could go back to a mix in an emergency to smooth out any critical errors.
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With software functions such as "total recall" it was possible to save all settings and routings to the mixer and effects as the target condition, so that they could be accessed again later. The necessity of working with 100% accuracy without making a mistake brought about a generation of talented sound engineers who aimed to improve these mechanisms further. The only thing protecting the progress of your project was the part of a DAW called "stereo bounce". As soon as the sound engineer started mixing the next song in the studio, all settings, pots and faders would be reset. Neither was it possible to let a project just lie there after the mix was exported in order to go back and eradicate mistakes later. There was no such thing as the presets, templates or save functions of today, so it was necessary to be more precise and error-free when recording. Changes to material recorded on tape also had to be recorded if not, they would be lost once settings were changed on the console or effects unit.
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In the early days of music production, recordings were made entirely without computers, sequencers or other digital tools.Īside from massive cupboards full of effect units and actual "reverberation chambers" for creating artificial depth and space, there was one major thing that didn't exist in analog times: non-destructive work. In order to understand the workflow when using a DAW, it makes sense to think about how recording was carried out in analog recording studios.
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